Saturday, June 29, 2013

See how High she Flies:



 Meet this witchy woman.  A commissioned piece for a lovely client, I was basically given carte blanche for a head mount.  These are my favorite projects because the mount really takes shape organically.  It might sound corny but I'm being completely sincere when I say that I let the creature guide me in terms of its embellishment/projected personality traits.
I was getting some serious Priestess vibes from this raccoon and rolled with it.

I incorporated some dyed deer tail hair in the whiskers and "Mohawk":


 

 Her paws hold an antique silver jewelry bowl which was part of a set I purchased at a flea market a while back.  I wanted this piece to be functional in some capacity and this bowl conveys a cauldron element while serving as an intimate space to store/stash love notes, wishes, contraband, jewelry, etc.



Her face is also embellished with assorted Pheasant feathers:




I just got the word that she arrived safely and is already right at home on my client's wall.  This brings me tremendous joy.

Crack is whack. Especially on your trophy antlers.


Occasionally I get repair jobs from folks who have damaged mounts, broken antlers or busted skulls.  This case isn't much different ezcept for the size factor involved.  I think these moose antlers make up the largest rack I've ever dealt with.
The owner had mounted them to a stone wall outside her house but not in any particular fashion that would anchor them in properly, and over time the sheer weight of these bad boys just pulled them out and they fell off.  I'm not sure if the fall caused any of the cracking or of all the blemishes/cracks are just general wear and tear.


Regardless, there were several points at which the cracks compromised the integrity of the the antler itself, plus a handful of cosmetic issues.  I set about using an epoxy compound to fill in the more significant negative space:







 Next I used a type of paint specifically designed for antler restoration  to blend all the filling with the rest of the antler, as well as mixing up the right shades to correct some of the markings that took away from the natural beauty of the actual antler:



Terrible picture for size reference:




 Finished product.  I also drilled more stable holes at the base and left her with instructions on how exactly to have it mounted this time around.


















Monday, June 24, 2013

Jazzed up Baculums

Here's a not so wordy post with pretty pictures of my new batch of baculum charms.  All are uniquely embellished and infused with my own brand of custom good vibes.  Let the mojo roll:


 Amethyst:













Vintage blue gem with Swarovski and filigree on the back:





Diamonds:







Vintage emerald charm:




Sunday, June 23, 2013

I got your HANDS ON experience right here:


As I've mentioned here before, I'm getting more involved with workshops and group engagement in terms of taxidermy.  What has been a deligthfully solitary craft for me all these years is slowly morphing into a social experience as more people gain interest in this practice.  I've actually just finished my first week of private tutelage with a  talented and creative young man who completed his first pheasant mount from scratch under my watchful eye. 
It's exciting to see how may people want to peek behind the curtain and see what taxidermy is all about.  In Brooklyn, the Morbid Anatomy Library hosts a slew of various workshops and educational events ranging from how to mount your own squirrel to setting up your own beetle diorama.  I can now list my own specialty among the roster: How to create wearable taxidermy.
Here's a full description of the workshop:


Event

Wearable Taxidermy Workshop by Beth Beverly
Date: Saturday, July 27
Time: 12  6:30 PM
Price: $150
RSVP Email: diamondtoothtaxidermist(at)gmail.com
This class is part of The Morbid Anatomy Art Academy

Students will be provided with pre-skinned and tanned chicken hide elements (wings, tails, heads, etc) along with millinery hardware and all the glues, threads, chain, and miscellaneous decorative elements to create a one of a kind custom taxidermy headpiece.
Starting with the malleable hide parts, students will be instructed on how to manipulate, fill and and position the feathered sections while anchoring them to the metal hardware using foam mannequin heads (provided) for stability. Millinery accents like netting, crinoline, jewels and metal embellishments can then be added to complete the students' own personal design, finishing off the workshop with instruction on lining the inside and adding a personalized garment tag.
Students will leave with their new wearable piece of fashion taxidermy, along with printed out lesson sheets and sourcing info so that they may employ these new skills for life.



I've already got 6 full birds skinned, tanned and ready to head up to NY next month; I'm using my best and brightest specimen because I truly want to create a dazzling workshop for my students and make sure they take home something truly beautiful.  I even had a Polish Hen ( I rarely get those) but got greedy and decided to keep that one for myself.  Here is a hint at some of the colors/textures I'm offering that aren't Polish hens:




 A nice assortment, and I've still got loads more!  In fact, I'll be going up to the farm to collect some freezer treats from the boys at The Farmer's Husband early next month so who knows what stunning pieces I'll have!

I'm looking forward to this workshop and meeting the folks who are as enthusiastic as me over wearable bio art. I'm also eager to see what other creative minds come up with, left to their own devices.  There's still a few spots left if you are in or near Brooklyn on July 27 and would like your own custom made for you by you piece of wearable taxidermy!  Just email me through my website or go to Brown Paper Tickets to secure your place in class.

Sunday, June 16, 2013

One of My Favorite Things: WILBUR VINTAGE/A Beth Beverly Fashion Retrospective

Blouse from Wilbur Vintage

 I want to start incorporating posts about things and people who make my life as wonderful as it is that aren't necessarily taxidermy related, and am feeling inspired today to tell you all about one of my nearest and dearest, Wilbur Vintage.  I've known Dan Wilbur (owner and proprietor) for almost a decade now and ours is the kind of friendship that feels so instantaneous that the possibility of having met in other lifetimes isn't even questioned.  It's just understood. 
Gold shirt under black sweater from Wilbur-I'm posing with Cesar Galindo & model for his Fall '13 shoot.
Sweater again, in 2010
Dan has unparalleled taste in clothing and what makes him such a valuable asset to any woman's wardrobe is that he knows what women look good in.  Also, he's not afraid to tell you when something is not working on your body.  He understands that we all are built differently, and can see us through an unbiased filter- not the one we see ourselves through which can be tinted with flaw seeking shame or dumb shit we've been told by vampires who pose as people close to us in our formative years.

Recently I was getting dressed for an event and realised just about everything I wear is from Wilbur.  Especially clothes for events where I know I'm going to be photographed.  Without a doubt almost every time I leave the house, I can look down and see at least one piece from Wilbur Vintage on my body- dress, shoes, belt, scarf, shirt, gloves, anything and everything that looks good comes from this magical place.

Here's a brief video  from The American Hipster series in which I am lovingly ensconced in one my my favorite Wilbur blouses:






This dress is possibly my favorite Wilbur purchase- it's a vintage Bonwit Teller piece, which holds sentimental value for me since I spent five years of my life as the window dresser for Daffys which occupied the old Bonwit Teller building:

Cruise Elegant, baby: 2011


On the set  of Immortalized, 2012



 Back in 2010 when I made that fateful trek up to Brooklyn to compete in the annual Carnivorous Nights taxidermy competition (and won best in show in case anyone forgot) I armed myself with this stealthy suede number that was completely open backed.  It's hard to tell from this photo but it was drawn quite tight at the waist line with a little ruffle.  It felt very Cruella Deville which is exactly what I needed that night to dominate in unfamiliar territories.  This dress is probably second favorite in my collection.  Sadly, it requires a small waist and I've grown a couple inches since then- relegating this piece to its space on the dress up rack until I decide to put down the chocolate for a month or so.

Dress and gloves from Wilbur Vintage



 Back in 2011 I attended the Kentucky Derby and several of its surrounding events (The Barnstable Ball, The Brown Ball) to which I had donated taxidermy pieces to be auctioned off in exchange for tickets to said balls (side note- Mike Mills from REM and his girlfriend bought one of my hats. I wonder if she ever wears it and thinks of me...).  Of course I turned to Wilbur when planning my wardrobe for this trip:


   
At the Derby:Pink dress from Wilbur


 Our first night in Kentucky I stunned the locals with this number:


Unfortunately the hat is really being a camera hog so below is the same exquisite gown again, this time paired with a rabbit fur and antler hat:

Elegant night, AKA the night we narrowly escaped the Cozumel mafia

 Last year at the Radnor Hunt, the tailgate theme was "Islands", to be interpreted many ways. I went with Cuba and channeled my inner priestess, with the help of this colorful number from Wilbur.  This is definitely a do not try this at home level ensemble.

Dress from Wilbur Vintage





 When Immortalized was gearing up for its television premier there were several promotional events where I had the opportunity to dress in my finest.   The photo below is borrowed from Takeshi and that's me posing with him outside- it was a pop up gallery called Immortal Love and it was just terrific.  This vintage jacket paired perfectly with my just finished lamb fetus hat.

Jacket from Wilbur Vintage



 Inside from the same party:

Dress from Wilbur Vintage


 I also had the opportunity this year to show one of my hats during a NY Fashion Week runway show.  Here's me posing with the designer, Cesar Galindo and my hat.  The model wore it like a champ.  I took a mental snapshot of how it felt to sit in the front row and see someone walk so flawlessly in a piece that I made, and I take that snapshot out of the recesses of my mind and cuddle with it on rainy days.  I'm wearing this fantastic jacket I got from Wilbur that wraps around the body like a blanket and has tassels and ropes, a couple of my favorite things.
Jacket from Wilbur Vintage



I most recently wore this batik dyed dress from Wilbur to the second annual Ladies Tea at Devon, where it received rave reviews.  (Carson Kressley said it was his favorite dress of the day and that's that.)
Dress from Wilbur Vintage


In case you're not tired of watching me play dress-up, this video captures me in all my Wilbur Vintage glory, in motion no less:





 If you're feeling inspired to go check out Wilbur yourself, the shop is on Fabric Row in the Society Hill section of Philadelphia:

Address: 716 S 4th St, Philadelphia, PA 19147
Phone:(215) 413-5809
Hours:
 
Monday1:00–8:00 pm
Tuesday1:00–8:00 pm
Wednesday1:00–8:00 pm
Thursday1:00–8:00 pm
Friday1:00–8:00 pm
Saturday12:00–7:00 pm
Sunday12:00–7:00 pm


Not in Philly?  Lucky you, he's got an etsy shop:  Wilbur Vintage on Etsy










Thursday, June 13, 2013

MAKE IT A DATE: Chicken Mouning Demo with MOI at Diamond Tooth HQ!

On the heels of my delightful and engaging presentation at the Wagner Institute, I've started offering live demonstrations in the more intimate setting of my studio.  If you're curious about taxidermy and would like to see it up close and personal, executed by a licensed professional who is more than happy to answer any and every one of your questions- then VOILA! Both dates are on Saturdays, the first being June 29 and the second on July 13.
These workshops are hosted through a company called Side Tours; they assemble a calender of unconventional experiences for anyone enthusiastic about getting to know more about what Philly has to offer.  Directly from their site:

Discover the Bygone Art of Taxidermy at an Artist's Workshop

Witness an enthralling demonstration of preserving and mounting a chicken before trying out the process yourself.

Discover the Bygone Art of Taxidermy at an Artist's Workshop
  • Beth Beverly is an artist, fashion designer and licensed taxidermist
  • Watch as Beth demonstrates how to properly prepare and mount a chicken, then try it yourself
  • Push your boundaries and challenge your perceptions of death in a lively interactive environment
An important ritual in ancient Egypt and the Middle Ages, the real golden age of taxidermy came during the Victorian Era, when it was all the rage in interior design. The fashion eventually faded, but as with most fashions, it has recently experienced a big revival.
Beth Beverly is the proud proprietor of Diamond Tooth Taxidermy. An artist and fashion designer, Beth found her calling in the form of sculptural and wearable taxidermy. Since then, she has become a licensed taxidermist and was featured on AMC's Immortalized, a reality show about rogue taxidermists and their colorful creations.
Join Beth in her warehouse studio for an interactive demonstration in the art of preservation, as you watch her prepare and mount a recently deceased chicken, creating a wonderful (and wonderfully odd) piece of home decor in the process. After Beth shows you the ropes, you’re encouraged to take the wheel, tumbling the hide, blowing the specimen dry and preparing the animal for tanning. Afterwards, try on some of the incredible, wearable animal creations made by Beth and pose for pictures. Grab a feather on your way out, as a memento of your fashionable new skill.
Host photo credit: Ben Leuner for AMC
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Beth Beverly - Taxidermy Artist

Beth Beverly

Taxidermy Artist
Beth Beverly's fascination with the lost art of taxidermy began soon after she started incorporating animal fibers into her work as a fashion designer. When she happened upon a dead bird on the city sidewalk, it felt only natural for Beth to pick it up. A decade later, Beth is a fully licensed...
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I hope you can make it!  And if you know anyone who may be interested, sign them up!

Tuesday, June 11, 2013

The Other Dark Meat


Here's a pile of fat at my dubious feet.  I read that I had to cut out the glands under the armpits but I never saw any glands.  Just mountains of fat.  I started to wonder if I was making a huge mistake.


 Let me explain.  A few months back I was presented a raccoon from a trapper who occasionally gives me the spoils of his never-ending attempt to keep predators from his ducks and chickens.  I feel not-so-great to downright terrible about trapping, despite the more "humane" traps out there these days, which is why I have set about learning more about this practice (blog post on that later) so I can feel fully informed before falling squarely one one side of the fence.
In the meantime, however, while this guy is dispatching these "nuisance" creatures, I may as well make use out of every part right?  I'd heard about eating raccoon before; my buddy who grew up in West Virginia claims to have eaten it many times as a child.  My friend Georgia Pellegrini who wrote a book on eating less tan conventional meats (Girl Hunter, do yourself a favor and go get it now if you haven't read it) has prepared and eaten raccoon dozens of times.  In fact, she walked me through the preparation of this dish via multiple text messages over the weekend.


 A little info about the "other dark meat" from an essay by Bill Hanks:
Trapper Larry Brownsbeger runs an add in the newspaper. He sells his Raccoons for between $3 to $7 each. that isn't a pound either. His Raccoons are clean and neatly wrapped. He announces his location of where the sales with take place. It doesn't take long and he is sold out.
The meat isn't USDA inspected either. Neither is Deer for that matter. There are no laws to prevent trappers from selling their meat. When you think of "green", Raccoon has no additives, steroids, growth hormones, or antibiotics. It is truly an organic "green" form of meat.
In Missouri, it is estimated that there are 20 Raccoons for every square mile. The Raccoon population has doubled since the 80's. There are more Raccoons now than when the State was first settled.
Pioneers use to eat Raccoon. They were easy to trap and prepare. A Raccoon can easily fill a family of four or five. Unless you know a trapper or trap yourself, it is hard to find a Raccoon that has already been cleaned and wrapped properly.
Raccoons provide a great source of protein to a person's diet. Still for many Americans, a Raccoon is still considered as a rodent that they try to avoid hitting on the road. However, for a few that know how to cook it, it is a meal that they can't wait for.


I began by quartering up my raccoon and making a marinade.  I used salt, sugar, rosemary, Spodee (I kind of live off the stuff), pear vinegar and pineapple juice.  In hindsight, I used much too much salt but now I know for next time.


 I let it sit for two full days and then set about braising it.  I've never actually braised anything (I attempted to braise a fox a year ago but didn't look up directions or anything so it turned out just awful) so I looked up instructions on several sites and kind of married a few recipes.  I cooked the meat in really hot grape seed oil for about a minute on each side:



 It began to smell REALLY FUCKING GOOD.  I started to think I might be onto something.


I then added "aromatic" vegetables  (onion, carrots, celery, shallots, crushed garlic) to the hot oil after taking out the meat.  Here's where I made my second mistake.  I added more oil to the veggies while they were cooking which was completely unnecessary.


After the mixture had become soft, I deglazed the pot (another first for me!) by adding sherry.  The recipe called for wine but I think sherry is pretty much the same, right?  Plus its all we had in the house.
I then added the meat back in, added more sherry and a 32oz can of crushed tomatoes.  The liquid didn't quite cover the raccoon so I topped it off with some water, bay leaves and paprika (I don't even know what paprika is for but it was looking so lonely on the spice rack really wanting to be useful so I figured, what the heck), brought the whole thing back up to a simmer, covered it tightly and in the oven it went for 4 hours.



Except it was more like 6 hours because I fell asleep.  Still, I tasted it before putting the whole pot in the fridge for the night and the meat just melted in my mouth.  It left an unusually velvety texture in my mouth.
The next night I heated up a couple bowls for the mister and me and we dined on coon stew with garlic bread and side salads.   A few notes:
-I think because of the crazy amount of salt I used in the marinade, the meat itself was just a bit too sodium rich.  I don't mind a little salt though; it keeps my blood pressure at human level and prevents head rushes.  Jim however, was NOT feeling it.
-This is an eztremely rich dish.  The raccoon is so fatty to begin with and like I said earlier, I used far too much oil.  Again, I don't mind, especially if there is bread to soak up all the goodness but it does feel like more of a cold weather comfort dish than anything you'd want to put in your body on a 90 degree day. 
That said, I ate leftovers for lunch today and was just as happy with it lukewarm having sat in my bag all day.  Does that sound gross?  Should I be refrigerating my food?  Psssssht.  No thanks.

I will, however, be packing up the rest of this dish (this raccoon really could feed a family of five, there is so much of it!), freezing it and saving it for a really dreary low energy day in November.

In the meantime, I might get Georgia to give me some more pointers.  She and I have been trying to figure out a joint class we could teach where I show how to skin and mount a specimen and she shows how to turn it into a gourmet dish.  No waste!  Maybe raccoons are the answer.