Tuesday, February 8, 2011

Happy Birthdays!

I was recently commissioned to create a custom flight-of-fancy-hat for a friend's mother.  It was a birthday present and, seeing as the giftee shares the same big day as yours truly, I poured even more love and care into this piece.*



I was given the parameters of a making a piece that was a bird alit on a wide-brimmed hat and given creative freedom as far as the rest goes.  I found this lovely sun hat made from woven horse hair and got to work on a recently sourced hen from my dear chicken master buddy.  She was rather large- a little too large for this purpose, but I was so enamoured with her coloring I plowed ahead and taxied the skin onto a smaller, altered form.  I posed her to be perched, curious, holding back part of the brim with her wing; almost an extension of the wearer's head.







I gave her a pair of oversized eyes and lined them with crystals, as well as embellishing the original coat with some brighter pheasant feathers.  A gold and diamond chain around the brim completes the look.







Look at that beautiful fuzzy bum!  The blueish feathers underneath the tail are the pheasant accents.







I added a poof of white with some belly down at  the end of the chain, and called it a day.   Well, there were some structural issues to address but I took care of those earlier.  When one is wearing such a monumental structure on one's head, it helps to have straps on the ready to hold said structure into place.  I rather enjoy the pomp and circumstance of dressing up in this way-having an entire creature on my head makes me taller, it makes me stand up straighter, and I am so much more aware of how I move my head.  It feels very elegant.  I am eager to see how well my birthday sister and recipient of this gift wears it.







 



Photos by James Coughlin



 



*I never actually put more love into any one piece than another.  I adore all of my children equally.

Friday, January 28, 2011

"I've got a stiff black cock in the freezer for you"

That's the text message I received from my dear chicken-master pal a couple of months back when his prized black Dutch Serama rooster died.



It's good to have a sense of humor about these things, and after offering my condolences we set about discussing how he would like his cock mounted. (an interesting sidenote-I am often privately fascinated by different words the same key strokes will produce when texting, such as "good" and "home".  Throughout the process of working on this mount for my friend, we'd often text each0ther back and forth, checking on progress and such.  Every time I try to text the word cock, I get "anal" instead.  The 4th grader in me fins this extremely humourous.)



Here he is, in all his glory:



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My friend wanted him mounted in a pose which was entirely new territory to me; back arched, tail up and wings relaxed at the side. Oh, and that chest.  I had no idea their chests actually puffed out so far until meeting some roosters at this guy's coop and seeing it for myself.  I was instructed to emulate this image, and take creative liberty when I where I felt inspired to do so.







While working on the positioning I found other reference images and videos to study online, and became completely enamoured with this little bird.  Such a proud looking creature, completely indifferent to its petite stature. I imagined the muscle strength it must take to arch one's back just so to bring the tail feathers all the way up like that, all the while standing with the chest pushed out as far as possible.  I even tried imitating this pose myself, (as I often do in an attempt to understand muscle structure and anatomy with my specimen) and would up contorted into a shape that I'm sure would make any back specialist cringe.



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When the time came to select an environment for this mount, I went through many options but there was one that  couldn't be ignored, as it had been sitting on a shelf above my desk for months.  The horse hoof!  I've been working on my horse hoof platform shoes for almost a year now, and this first hoof I have sitting around was my crash course, so to speak, on fleshing out the actual foot part.  When I paired it with the little cock, the color, angles and gently implied S&M facor all gelled together so perfectly I couldn't help but squeal a little bit.



I live for moments like this, in my studio when it's just myself and my little creatures, when some treasure or trinket I've been holding onto for years meets its mate.



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*photo credit: James Coughlin

Tuesday, January 25, 2011

If we all had our druthers, our pets would live forever!

I understand that my medium of choice when it comes to artistic expression is somewhat provocative, if not downright controversial.



I certainly don't expect everyone to like it, nor do I expect the world at large to share the same carefully laid out map of moral boundaries and ethics I've arrived at myself through a never-ending process of trial and error.  If we all thought the same thing, the world would be a tragically dull place, not to mention nothing would ever get done.



While working so closely with death, I've given much thought to the value of life and how it is appreciated so differently by different people and cultures.  Some people raise poultry for a living; those birds are food to them and nothing else.  Birds are kept in cages, living on top of one another and stepping in a pile of one another's feces until the time comes for harvest.  It's easy to think of these creatures (or even look at them if you've ever been to a live poultry market), and feel heartbroken.  For some, that is.  For others, it's just as easy to look into a cage and see what ranks a few links down on the food chain.  Dinner.  Sustenance, and nothing else.  After years of careful thought and consideration, I fall somewhere in the middle.  My work in the field of taxidermy has brought me in touch with hunters and butchers alike, and through my interactions with these folks I have gained an appreciation for the food that winds up on my plate, an appreciation I never had as a child.  When I've met the animal whose life was extinguished to feed myself (or my cats), I appreciate the meat so much more.  The responsibility of using each part to its fullest weighs so much heavier on me than if I'd bought some prepackaged beef from the market.



My point is this: I understand and appreciate the fact that my sheer existence/lifestyle comes at a price, and sometimes that price is the lives of other living creatures.  For this, I am thankful and move throughout my day with an awareness I wouldn't trade for all the blissful ignorance in the world.  Plus, I love animals, I really do.  I wouldn't have gotten into taxidermy if that wasn't the case.  For those of you who haven't heard this worn-out old story, I decided to get a book and teach myself the craft after seeing so many freshly perished birds on the city sidewalks post-skyscrapers-crash.  The thought of these beautiful creatures just rotting on the sidewalk or being swept into a gutter made me sick.  I wanted to preserve them, celebrate their beauty.  And so I learned the art of taxidermy.



Ten years later, and I still hold the same philosophy.  Of course, these amazing creatures are best when they're living, moving, flying, running, barking, etc.  But everything dies, whether by the hand of man or nature, and why let such beauty go to waste?  This is why I'm happy to take a dead pet off of a friend's hands, and also to use the skin of a chicken, pheasant, or even squirrel before making a delicious meal with the meat.  I do the best I can to be sure my specimen are sourced ethically and humanely, but I hold no judgement for others who have a different set of values when it comes to the food chain.  All I know is what's right for me, and if I've learned anything in my 33 years on this earth it's that the no two people should be expected to share the exact same moral compass.



I've received messages from individuals who are less than pleased about what I do. It would be terribly naive of me not to expect this, and to these people I want to say this:  I hear you.  I recognise what you're saying (even if it's not in the most polite wording) and I respect your point of view.  I want you to know that I'm not thoughtlessly slaughtering animals just so I can wear one on my head.  Quite the opposite, in fact.  This is in no way an attempt to convince you that I'm right, or that you should agree with me, it's just a clear explanation of my philosophy because from the tone of your emails/messages/comments I feel you may not have had all the facts before reaching out to me.

Peace be with yall.

Saturday, January 15, 2011

MINKY





 



This was going to be an add-on to the last post, but Minky deserves a post all of his own.  Please read:



And on a sad note, those of you (hi honey!  mom, dad?) who have read this blog from it's humble beginnings exactly one year ago may remember Minky, my kindred spirit who made my quite lonely stay in teh poconos so much  more enjoyable, if not magical.  During my stay I loved that cat like he was my own and we forged an irreplaceable bond.  Just minutes ago news reached me of Minky's passing.  His two dads loved him dearly and he is buried by the stream just outside the house where I stayed with him.  He loved to go out and sniff at that stream.  Below are a couple photos of dear old Minks and some links to posts pertaining to him.



RIP MINKY!!!



 



Minky:1 Coyote: 0



Minky cave



Taking Minky to the vet



And just because I'm feeling nostalgic, my last day living in the mountains.  Please play the top video.  It's like I'm there again, I want you to be there too.



 



Good bye Mink, tender I will keep, this place you hold in my heart.











 

Restoration project and photoshop skills

!!!Update!  I just received some photos of this mout from the owner, exhisbiting the condition before I restored it!!!!  See below:







 







 



My chicken & egg supplier provided me with an assignment over the holidays: bring back to life this antique rooster mount which belonged to his good friend, another chicken enthusiast.  The tail was the main issue, as it was broken and sagging as a rather depressing angle.  There were other areas which needed improvement as well, so he just told me to give it the works.



And here is the finished and completely restored piece:







The sad, pathetic, kicking myself in the ass part of this is that I accidentally deleted my "before" pics and there is no hope of retrieving them.  So...through th miracles of Photoshop I will attempt to give a proper visual example of what I was dealing with.



Here is my rendering of the "before" shot focusing on the tail.  That part had completely broken from the rest of the bird and needed to be reattached at the correct angle.  I replaced the steel support rod and with the help of a little magic paste and finesse, got the positioning just right.  I then pruned the feathers a bit and arranged them back into what I imagined would have been their proper place.  Some were quite frayed so I tried steaming them, which helped by opening up the fibers a bit until they relaxed back into a straight (not crimped) state, but didn't entirely alleviate the problem.  Next time I'll experiment with some sort of oil.







Tada!







The other major issue was the face. The coloring has completely faded into a dull yellow (I'm assuming in life he was a blushing young thing) and the waddles and comb were dried out and crumpled.  I rehydrated the delicate tissue for a few days until it was malleable enough to get into a more natural position without snapping.  After that the flesh was braced for several more days to cure in the straight position.



After that came painting.  After several tries I found the right combination of matte/glossy coats to achieve the slightly rubbery looking appearance these particular features tend to have on living roosters.



Before:







And after:







Aside from that there was general dusting of feathers, eyes, beak,feet and base and the usual whispering of sweet nothings into the rooster's ear.  He emerged good as new and the client was pleased.

Thursday, January 6, 2011

Squish

I don't know why it took so long for that term to come to me.  Before two minutes ago I was calling this thing a "Squirrmaid" and a "Merrrrrell".  None of these names could be considered accurate, however, I suppose a more scientific name would be something akin to Scuiridae Piscis. When it's all said and done though, Squish is just the easiest to say.



This is a piece from my most recent show at Michael Vincent Gallery; he is made from a grey squirrel hailing all the way from Ohio and a Coho Salmon from the Great Lakes..







I'm intrigues lately by the tagging and tracking of animals.  I expect to experiment more with this in the future.



Also, here is the raccoon (still awaiting a name from the recipient)I made for my husband, photographed the way he deserves:







Who, me?



My hair looks like a bird's nest?

Why thank you.



Well, more like a chicken coop I suppose.  Regardless, my head is honored to be the vehicle for exhibiting these lovely specimen, donated to yours truly by my local organic chicken/egg connection.



This is a rooster beret I made recently.  I wore it on New Year's Eve.  I've been told that it's customary to eat chicken on December 31st, as they are scratching backwards into the dirt...reflecting on the past, I suppose.



I'd prefer to wear my poultry.



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Right here is the Serama hen hairpiece I wore for the Carnivorous Nights taxidermy contest last month.  I look forward to trotting her out again.



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Look at those gorgeous feathers.  Perhaps she'd like to take a ride on someone else's head for a night.



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Ladies?



*Photo credits: Jim Coughlin