I just shot this fresh batch of sheep hoof candle holders yesterday; I'll be listing on etsy later this morning.
I call this pair the dancers. I experimented with posing and got as close to an on pointe stance as I could. The bases and candle cups are pieces harvested from antique silver candle holders.
Evoking a ballet costume, I needed sequins or some sort of flash. I used these hand beaded patches on the back to conceal what isn't the prettiest part of a sheep's hoof. Kind of like a dancer's worn and beaten feet, I suppose.
This single piece is slated to be a gift for someone as part of my ongoing twenty4twenty project; I'll write more about it and its recipient after sending
I wanted something to suggest a beautiful woman, and for some reason this glass beaded fringe loosely wrapped and dripping me down the side reminded me of a goddess draped effortlessly in a flowing robe.
I wanted some of the beads to trail behind like a gown, which isn't necessarily safe for something with a flame on top of it but thankfully there will only be civilized adults where this piece is going-no children.
Here are my Moroccan Dancers. I've never been to Morocco but it's on my list of dream visits, as I am endlessly inspired by the colors, dress, style, food, houses, everything I see from there.
I used antique brass hand cups and bibeches with a pair of inverted antique glass bibeches with what appears to be hand made glass beading. SO much provenance in these pieces.
I can practically see them shimmying. Can you?
Here's my little Cossack hat candle holder. He's a simple one, standing alone with his slim figure and poofy top. He'll stand guard over your most intimate evenings, the ones where you spill all your guts onto the table.


















