Friday, March 23, 2012

Beating the Meat.

Immersing myself in a craft that deals with death is a constant pot-stirrir, so to speak.  I got involved with taxidermy in the first place to deal with the profound sadness I felt when seeing recently perished birds lay to waste on the sidewalk, and the disrespectful way their corpses were treated.  I am compelled always to imagine myself in the place of any person or creature when faced with their situation; its my empathetic nature.  So of course when I come across a pigeon laying dead on the sidewalk while busy pedestrians brush past it or absent-mindedly nudge it into the street where it will just be  repeatedly run over for weeks until its essence is completely blended with the pavement, I imagine myself or some other person I love there, dead on the ground, being ignored until I or they decompose.



So I started with pigeons and city birds.  Then I moved onto pheasant purchased from my local butcher.  It occurred to me that I was closing the gap between "farm to table" which back then hadn't become a buzz-term yet.  I just knew that, along with being compelled to preserve these creatures, I had a nagging feeling in my gut telling me to develop a closer relationship with my food sources.  All this meant at this time was actually knowing if the chicken on my plate was even chicken.  Food was a bit of a mystery to me; I never picked up the cursory skills in the kitchen which would allow me to debone and butcher a chicken with confidence.



But it tasted so good with everything and was the perfect source of lean protein!



So I kept turning my brain off for the time being.  Then I watched "Food, Inc.".  My husband and I swore off chicken and meat, unless it was "happy meat" meaning it was organic, purchased at Whole Foods, etc.  This has kind of lasted, on and off, depending on how healthy our wallets are at the time, and then recently this nagging feeling clawed its way out of my stomach and into my frontal lobe.  I cannot ignore it any longer.



My mind has been a swirling perfect storm lately of feeling disenfranchised at the cold and painful realisation that my government is a bloated, bizarre and antiquated machine which cares not an iota for me or my family .  Commercials aren't true.  Magazines lie.  Everything I see and read about anything is some sort of visual or emotional manipulation to sell me something or just fuck with me, and you too.  The latest fiasco with the pink ammonia slime in ground meat is outrageous. Then there's the nonsense with FDA & Monsanto vs. Whole Foods.  That's two headline-hogging recent events out of the millions \ of atrocious and irresponsible things going on behind the scenes with food distribution in the last twenty years.



And I'm not going to point fingers and say that there's a bad guy because it's so much larger than that.  I don't think "the man" wants me and you and everyone we know to eat poison and die.  I just think the human race exploded like a popped kernel of corn and our population, along with its needs, have grown faster than the machine can keep up with.  There are too many people to feed in the fashion the last couple generations have come to expect, and the only way mega purveyors have come up with to supply the demand is to prioritize quantity.  They've lost sight of what nourishment really is, along with most of us.  A steak is something that should be treated gloriously; it can be a warm, sensual, savory experience which, when obtained and consumed properly can nourish one's entire being.  A grace should be said, not necessarily to any god but to the actual cow whose life was taken to make this meat, and the workers at the slaughterhouse who do all the dirty things we can't bear to think of when we buy our nice precut, seran-wrapped goodies at the market.







That's what eating a steak should be like.  But what its become is an anonymous substance which the general population happily shovels into their mouths with nary a thought of where it came from or what's in it.  This fact was grossly illuminated for me as I worked a gig on a cruise ship recently while reading Georgia Pellegrini's "Girl Hunter" in my downtime.  Absorbing her experiences of working in the food industry and deciding to make a change and source her own meat herself, against the backdrop of thousands of folks absent-mindedly shuffling down the buffet line three times a day piling their trays high with mystery meat was a surreal experience.







Surreal enough, in fact, to finally push me over the line and ban meat from my diet.  I don't really consume much to begin with except when I go out to eat so it's not a huge change.  And it's not that I don't like meat.  I love the chemicals my brain releases when I bite into a wild boar taco or a juicy dripping burger.  It's carnal, its sexy, and it's nourishment.  But for the moment, until I can construct a way to be more responsible and involved in the steps taken to land this meat on my plate, I am staging my own personal protest against it.  The exception to this, of course, is pheasants or rabbits I purchase from my trusted and ethical local butcher whom I know sources his animals properly, or any game meat from a hunter I trust.



And this is where my craft/career comes into play.  As taxidermy gains more traction in this country as an art form, a byproduct is cheaply manufactured fur and feather products ( feather hair extensions, anyone?) available at any discount beauty supply store in any metropolis.  There is an exploding demand for this stuff and folks who see dollar signs are too concerned with obtaining their stock to care about just how much of it they're slaughtering and what conditions said stock is living in before getting dispatched.



My career has been making a slow and steady ascent up into the success stratosphere and as I continue to make my way and become more renowned for my calling, I feel the need to distinguish myself as an ethical and humane taxidermist.   I'm constantly testing my moral waters and trying to figure out what my comfort level is, and it changes all the time.  I mounted a fox that was sourced using traps and I'm not proud of it ( I also attempted to make a meal out of this fox so no part of it would be wasted) .  At the time I thought it was OK to use the newer more humane technology but now I just don't feel informed enough to make that call.  I would need to be the person collecting the animal from the trap to see just how it feels to look this creature in the eye, to see it die.



Ms. Pellegrini touches on this throughout her book; the electrifying moment when she would "look her meat in the eye" before she killed it.  And this is my point: I really am not trying to say that there is any right or wrong.  I'd like to eliminate the black and white notion of good vs bad in my mind altogether.  What I do want for myself, and for you and everyone you love, is to be aware.  Think.  Just think the next time you sink your teeth into that chicken sandwich, about the bird and where it came from.  Was it genetically modified to have such large breasts it couldn't walk?  Does the burger pattie on your grill contain more pharmaceuticals than any of us might consume in a lifetime?  If this is OK, fine, eat it.  Just know.  I think if we all took a little more time to connect with where our food comes from, the results would be resoundingly positive.



Am I claiming innocence and superiority?  Far from it.  I have NO ROOM to judge anyone and no intention to do so.  I still eat my daily helping of yogurt and cottage cheese from cows I've never met.  I put the little bit of faith I have left into the "organic" label on the container and hope that these cows aren't a bunch of sad girls hooked up to a maze of tubes all day.  I consume an insane amount of canned tuna and how do I know that just because I bought it at an organic shop it wasn't sourced by unethical fishermen dropping anchor too close to some tiny pacific island, thus "stealing" all the fish form the locals who depend on that food source?



I eat fruit that has never (and will never -well, a heated planet could bring lemon trees to Philadelphia...) grown anywhere near my home and has to be sprayed with chemicals to preserve it for the journey across the country to my local grocer, and who knows how many low wage workers are exposed to these chemicals in the process.  I still work jobs that require me to get on a plane that chokes birds with fumes when they're not being chased off their natural migratory path by airport employees trying to prevent them from being sucked into jet engines.  I wear leather boots.  I'm still bewildered by (yet always thankful for) the phenomenon of indoor plumbing and probably use more water than I should.  I am dependent on contact lenses that come from who knows where and the chemicals that go with them which I am sure have been tested on animals.



It's overwhelming to think of all the ways in which my lifestyle is harmful to animals, but I have chosen not to be bogged down with guilt.  Instead I am making each decision with thought and care, constantly thanking each and every animal or human who sacrificed to bring me the luxuries I've come to expect in my life, like my iPhone and a decent Manhattan.  Because it's only where and to whom I was born that separates me from them.  And we're all connected. I truly believe this with every fiber of my being.



This is a lengthy post and if you are still with me, I thank you. Hopefully something in here struck a chord with you and I invite you to comment on it.  Please.  If you agree or think I'm way off base, please let me know.  Discussion can only bring more awareness and I can always use more of that.



xoxo



Beth Beverly

Tuesday, March 20, 2012

Paws down, the best charm in town.

I recently was contacted by a lovely gal in Alberta, Canada about a custom rabbit's foot charm.  While I have been thinking about making these for over a year now (it seems so obvious), it took this request to get the ball rolling.  Now I'm excited to get more into production as they can be carried for good luck or hung from key chain, necklace, anything to be touched or held in times of stress, with the pleasant knowledge that every part of this creature was used.







While working on this piece, I did some light research (read: plugged the term "rabbit foot charm" into a search engine) and found out that the rabbit's foot served as a talisman way back in 600 BC when the Celts carried them as good luck charms.  There are specifications as to just what can count as a good luck amulet (according to Wikipedia):



  • First, not any foot from a rabbit will do: it is the left hind foot of a rabbit that is useful as a charm.


  • Second, not any left hind foot of a rabbit will do; the rabbit must have been shot or otherwise captured in a cemetery.


  • Third, at least according to some sources, not any left hind foot of a rabbit shot in a cemetery will do: the phase of the moon is also important. Some authorities say that the rabbit must be taken in the full moon, while others hold instead that the rabbit must be taken in the new moon. Some sources say instead that the rabbit must be taken on a Friday, or a rainy Friday, or Friday the 13th. Some sources say that the rabbit should be shot with a silver bullet, while others say that the foot must be cut off while the rabbit is still alive.




There is also the belief that rabbits are shape-shifting creatures which are actually witches.  So a rabbit's foot sourced under the conditions described above is actually the foot of a witch.



SO COOL!



Here is an absolutely gorgeous example of an old timey Victorian Rabbit's foot charm:



http://upload.wikimedia.org/wikipedia/commons/1/12/Rabbitsfoot.jpg



(Brilliant!)



 



While the foot I used is actually the front left foot of a rabbit that I'm betting was not shot in a cemetery, I believe  in taking the old rituals/lore and infusing them with new energy.  All my work is saturated with thought and emotion; I like to think that I'm filling each piece with positive energy which will then benefit whomever receives it.  And I actually admire witches so I hope this rabbit wasn't a shape-shifting lady...or else I fed her to my cats!  Trippy thought, cats eating witches.







 



 



 



 

Friday, March 2, 2012

In and Out

Hi there,



I've been scarce lately, both on my blog and in real life.  Not much time to explain but I'm getting on another plane in a couple hours, just wanted to touch base and let all ten of you know I'm still here.  I've got a super fun show coming up, plus many many other projects so stay tuned.  I'll be in LA for a couple days and then on another ship.  If you're into twitter, please follow me- it's not always taxidermy related but worth your eyeballs: Beth Beverly on Twitter



This I swear.







 



Coming soon: Many, many more talon charms, rabbit feet, a pirate bunny, a white pheasant, a blue wing Teal, 2012 bridal pieces, three Misfits-themed chicken head-dresses, two foxes and a partridge in a pear tree!



xoxo



BB

Thursday, February 9, 2012

The Year of the Cat









 



Well, it almost took a year. It was a hot Summer day, I believe, when S, my client (not sure if she's want her name used here so I'll just stick to a one letter initial) called me and requested I pick up her recently departed best feline friend.   Someday when I have more articulate thoughts running through my mind I'll delve into all the emotional trappings of pet taxidermy, but for now I'll keep it brief.  It's awkward and sad, picking up the deceased member of a family.  I feel clumsy and don't know what to do with my hands.  I feel guilty if I find something funny.  It's a kind of turmoil, and the only thing that helps me through it is admitting that I feel awkward and weird and moving on from there.  I feel like I'm connecting with people whom I've barely known on a level so deep and raw that it's like hitting a nerve out of nowhere.



But I do know S.  I've been getting to know her. She's a delightfully sensitive and wonderful being, with what I suspect is a morbid sense of humor but I haven't seen it quite yet.



Anyway, meet her cat:







Poor baby was sick for a while and had received some kind of shot or treatment, hence the shaved arms.  Aside from that she was a beautiful specimen.  It took me forever to get the form down; it was basically hand sculpted over the entire period of time.  I refrained from too much embellishment as I knew S might want to add her own personal touches.  For no particular reason I incorporated a crystal ball for her to lean on, as though she were showing S the future from the other side.







 



I want to hear purring when I look at this photo.  Lets not ever forget how magical cats are.







I figured a pillow would be a suitable base, as she is a regal creature.  And I guess that's it.  I'm tired and need to be on a plane in a few hours.  More on this shortly, when I have my wits about me.



Thursday, January 26, 2012

Sneaky Peeks

Just a few shots of whats brewing at Diamond Tooth: All these claws are future talon charms and should be available for sale shortly.  Say I love you for Valentine's day while flipping Hallmark the bird.



[caption id="attachment_1487" align="alignnone" width="600" caption="chicken claw with vintage amethyst charm"][/caption]



 



 



[caption id="attachment_1488" align="alignnone" width="600" caption="chicken claw with unicorn charm"][/caption]



 



 



[caption id="attachment_1489" align="alignnone" width="600" caption="XXL chicken claw with genuine lead crystal charm"][/caption]



 



 



[caption id="attachment_1490" align="alignnone" width="600" caption="XXL mutant chicken claw"][/caption]



 



 



[caption id="attachment_1491" align="alignnone" width="600" caption="future headpiece for future show in future city..."][/caption]



 



There are plenty more of these on deck, and I will be professionally shooting them in a few days to load on my etsy site.



XOXOBB

Monday, January 23, 2012

DIRTY BIRDS









I searched for a song about "dirty birds" prior to writing this and I discovered that there is not only a song by that name, but a dance to go with it!  OH, Atlanta, you slay me.  I got a kick out of the video; there are some hilarious background folk featured throughout.



Anyway, the video and that brief preamble are to serve as a slight buffer between you and the visual content of this post, as it's a little dirty.  I figured I've got enough street cred as a taxidermist to have earned your trust, so I feel OK writing about the less glamorous aspects of this craft that make so many people queasy.  If you cannot stand the site of flesh or bone, then please abort now.  But if you're feeling brave, take my hand baby birds, I'll feed your head for a minute.



I had two hunters drop off birds last week.  One was what I  initially identified as a female Bufflehead but upon closer inspection actually turned out to be a female Blue Wing Teal.  The other bird was a white pheasant.



Two gorgeous specimen, although you wouldn't know that from the insides of them.



Let's start with the duck.  Ducks are notoriously fatty.  There is an odor to them that tends to hang on for a few weeks even after they're tanned, dried and mounted.  I have no qualms with the odor, but the fattyness can get quite tiresome.  You see, I don't yet possess a fleshing wheel, so I have to cut all the fat off by hand.  Being someone who actually finds solace in mundane repetitive tasks, I usually don't mind this but I've been pushing my poor paws to the limit lately and there is a soreness creeping in that only people who work with their hands could begin to understand.



Whining aside, I do like trimming fat.  I marvel at it.  I mean, this is what flavor comes from.  But my first instinct is to recoil in disgust if it gets all over my hands or my face.  Why is it gross to touch this substance that is so completely universal-I have it, you have it, all your dogs and cats have it, trust me they do- and it's the common denominator of all things delicious?  This fat is the real deal.  It's not oleo or some bogus hydro corn science project, its bona fide, warmth providing, lifesaving fat. I am getting better at embracing the stuff however; it doesn't hurt that after handling it I've got smooth Palmolive hands for hours, even after scrubbing with soap!



[caption id="attachment_1467" align="alignnone" width="600" caption="Official degreasing diagram"][/caption]



As you can see from my very official chart above, duck skin is tricky. It's simple to see where trimming needs to be done, but the actual skin is like a thin film of tissue paper underneath all that fat.  It's extremely easy to cut too far and make "duck doilies".  Needless to say, I'll have quite a bit of sewing to do on this skin before I mount it.



The spoils of duck lipo:



[caption id="attachment_1468" align="alignnone" width="600" caption="Foster THIS"][/caption]



After that, its into the tanning solution and a quick rinse.  Whenever I pull birds out of the water, I'm just a tad dubious that I'll be able to turn such a sad looking rag into something as beautiful as its original form, but it always works out.







Onto the pheasant.  As is often the case with game foul, this guy was just riddled with bird shot. Both legs were all but shattered.



.



Lots of holes:



[caption id="attachment_1473" align="alignnone" width="600" caption="B, B, B, B, BULLET HOLES!"][/caption]



It's not just a matter of holes but picking the shot out of the flesh, since I feed these birds to my animals and I don't want my little babies choking on lead.  The feathers kind of clump together around the shot, some still with quills in the skin, some buried in the meat.  It's not unlike pulling weeds:



[caption id="attachment_1474" align="alignnone" width="600" caption="one..."][/caption]



[caption id="attachment_1475" align="alignnone" width="600" caption="two..."][/caption]



[caption id="attachment_1476" align="alignnone" width="600" caption="three..."][/caption]



[caption id="attachment_1477" align="alignnone" width="600" caption="four..."][/caption]



[caption id="attachment_1479" align="alignnone" width="600" caption="and PULL!"][/caption]



Here's one leg.  The bone was totally broken, which can be hazardous for little taxidermist fingers working flesh off of them.  I have the scrapes to prove it.  The other leg was completely obliterated.  This means more work down the line when it comes time to mount, but this all comes with the territory.







Post bath, also looking like a wet rag, albeit one covered in beautiful feathers.







Like I said, I use this meat to feed my cats.  If a hunter just wants a trophy mount and doesn't care to eat what he catches, I will gladly play vulture and use whatever meat I can for my four-legged brood at home.  Obviously this applies to game and not roadkill.  In this case, I cut off what I could and placed it all in the crock pot with some chicken stock.  A few hours in there and presto!  Warm cozy Sunday dinner was served to my little ones:







And that's the word, Bird.

Saturday, January 21, 2012

Pigeon Holed





Early in December I was contacted by Allison Feldish in regard to a show she was curating at Extra Extra Gallery in Philadelphia with International artist Abbas Akhavan, among others.  A brief description of the show, called "So Far, So Good", from the Extra Extra website:



Extra Extra presents SO FAR SO GOOD, an exhibition of work examining the elements of uncertainty brought forth by recent social, political and environmental upheaval worldwide. Addressing concerns from global economics and capitalism, to political violence and surveillance, the conversation between the artists is presented on a platform of poetic inquiry and investigation. Each was selected to acknowledge the feelings of uneasiness, absurdity, hopefulness, despair, humor, paranoia, and earnest defiance that pervades our present day experience. The work and artists represented are not necessarily providing concrete answers, but asking questions and presenting choices.



Abbas, a multi-talented artist who also dabbles in taxidermy, has a mounted messenger pigeon piece which is integral to his contribution to the show.  When attempting to navigate the red tape involved with shipping a piece of art such as this over international borders (Abbas currently resides in Canada), the artist and curator came to the conclusion that the papers, fees, etc, required to make this happen would exceed the cost of simply paying a local taxidermist to alter an already existing pigeon form, which you see above.  Below is the pigeon mounted by Abbas:







Pretty great job, I say.  Again, here is the pigeon I was to transform into the one mounted by Abbas:







The main difference between the two birds is the angle of the neck and head.  Also of note would be the eyes, which are black glass bulbs on the one I received but closed and detailed on the original.  Thirdly, I would have to reposition the feet.



Clearly I had my work cut out for me.



I began by wetting the areas in question to make them a wee bit more malleable.  Once I'd worked out the exact spot and angle of the cut, I went ahead.







This had better work.

Diamond Tooth Taxidermy


I needed to not only replace the head so it was arched back, but also turned to the side.  This proved more difficult than I'd anticipated, but I ploughed ahead.  Here it is, most of the way back on.  At this point I'd also began to rework the eyes.







The feathers were understandably a bit ruffled and confused as to where they were to lay after being turned about like that, so I let the whole thing dry with a compression sock on for 30 hours.  After that I inserted and glued, one by one, teeny feathers from the portion of neck I'd removed into any areas that needed filling.







I added more "skin" to make up the eyelids, after painting the pupils on, and voila:







Oh yes, and I repositioned the legs, which gave me a bit of grief but I showed them no mercy.







The show opened last Friday and is up until the 12th of February.  While I didn't make the opening and have yet to see the dupe in action, I intend to go this weekend and check it out.  I invite you to do the same, should you be in the Philly area!